Maki Ogawa is a Japanese–Australian artist based in Eora/Sydney. Working across drawing, painting, and more recently installation, her practice reflects on the ambiguous and shifting nature of bicultural identity. She explores how symbols and motifs - particularly ropes, rocks, and grids -can reveal the tensions and harmonies between cultural frameworks. Through these visual languages, Maki investigates sacred spaces, the role of language, and the interplay between Eastern and Western modes of thinking. Her work embraces hybridity as a generative space, using it to create new ways of understanding and to examine how we navigate, negotiate, and construct our identities.

Naveed Farro is an artist and filmmaker based in Narrm (Melbourne), Australia. He is currently a candidate for a Master of Fine Arts at Monash University’s Faculty of Art, Design & Architecture (MADA), and works as a Sessional Academic teaching Film and Media Studies at the same institution.

Naveed's professional experience spans moving-image design and post-production. He has worked as a Moving Image Designer for the National Gallery of Victoria (NGV) and in post-production roles at VICE Media.

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Keiran Molaeb is a queer Lebanese artist whose practice explores cultural, interpersonal and familial connections. His work seeks to honour memory and celebrate the rich diversity of his heritage, creating a visual language that pays tribute to the people, places and histories that shape his identity.

Working primarily in portraiture, Keiran approaches each painting as a kind of ‘family portrait'. His subjects are chosen with  care, selected for the significance they hold in his life, and rendered through a slow, deliberate process that becomes an act of dedication and love.

Rooted in storytelling, his practice explores the idea of ‘cultural roots’, reflecting on how connections stretch, intertwine and persist across borders. His paintings are created on Lebanese cedar and olive wood sourced from his father’s home country and prepared by hand by his grandfather. By grounding each work in this material lineage, Keiran wants to make ensure that every element (medium, subject and process) remains connected to the culture he commemorates and celebrates.

Thang Do is a queer Vietnamese-born artist based in Melbourne whose performances and installations explore humanity’s attraction to spectacle as a way to escape, hope and imagine new possibilities. Drawing on the tensions between Vietnam’s unresolved passages into modernity and the Western pursuit of the “Australian dream,” Thang’s work examines the emotional and cultural negotiations of migrant life.

Using domestic materials such as paper, foil and glitter, Thang creates embellished vessels and altar-like installations that merge spiritual symbolism with bureaucratic realities. Works including Department of 2nd Home Affairs highlight the anxieties and aspirations shaped by visa systems, cultural inheritance and social precarity. Through these hybrid forms, Thang invites viewers into a space where desire, identity and transformation co-exist.

Johanna van der Linden is a multi disciplinary artist from Naarm (Melbourne), with an ongoing interest in materiality, Catholicism, upbringing, shame and representations of the female body. Engaging with concepts around feminist new materialisms, Johanna uses materials such as latex, steel, wax, soap and family heirlooms as a point of departure in her practice which spans sculpture, installation and printmaking. Johanna uses forging, welding, casting and printing techniques to create forms and surfaces which disrupt the functionality and reverence targeted at Catholic symbolism as processes which de-sacralise and de-formalise. She is interested in the relationships between form, materiality and space, and how tensions and slippages between the sacred and profane can be manipulated, broken and re-made.She received her B.A. from Australian Catholic University, and an Honours (First Class) in Fine Arts from RMIT university. She is currently studying towards a Master of Fine Arts at the University of Canterbury, New Zealand.

Alexandra Kumala is a Jakarta-born filmmaker and writer whose work explores the untranslatable and inexpressible within Indonesian identity. Drawing on her Tionghoa-Peranakan heritage and a life lived across continents, she uses symbolism, metaphor and nontraditional forms to examine shifting borders, histories and power. Her films and essays foreground marginalised voices and speak to anyone who has felt silenced, erased or caught between worlds.

Jaco Kotzee is a Perth-based artist whose painting practice explores the tension between legibility and ambiguity. Reworking film stills, media images and found photographs, Kotzee dissolves familiar motifs to question how national identities and cultural memories are constructed. His paintings suspend recognisable imagery into states of uncertainty, opening space for new interpretations of unresolved histories. Kotzee holds a BFA (Honours, First Class) from Curtin University and has exhibited in solo and group shows across Perth, with upcoming residencies at the Perth Institute of Contemporary Arts and Takt Berlin.

Devika Bilimoria is a London-based artist raised in Naarm/Melbourne whose X-disciplinary practice spans performance, dance, video, photography, drawing and installation. Drawing from Bharatanatyam, Odissi, theatre and live art, their work explores queering, time and materiality through South Asian diasporic, queer and ecological perspectives.

They hold a BA from RMIT and First-Class Honours from the Victorian College of the Arts, where they received the Rodger Davies Award for their durational performance Offerings. Their work has been shown at the National Portrait Gallery, Museum of Australian Photography, Dancehouse and internationally, including the Whitechapel Gallery’s London Open Live.

Devika is part of the arts research collective L&NDLESS and co-founder of queer-time lab GEOFADE, with recent support from Creative Australia and residencies with Performance Space, Critical Path and AADK (Spain).

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