Karrabing Film Collective, Saul Williams, Anisia Uzeyman

Mermaids, or Aiden in Wonderland and Neptune Frost

15

February 2024

15

Feb

2024

Seventh Gallery Lawn

Mermaids, or Aiden in Wonderland and Neptune Frost

Karrabing Film Collective, Saul Williams, Anisia Uzeyman

15

February 2024

15

February

2024

Seventh Gallery Lawn

We are pleased to introduce Seventh Cinema, a free public cinema season spanning seven weeks. In collaboration with guest artist Kori Miles, we have curated a series of film programs on a temporary outdoor cinema on the gallery's adjacent lawn. In this inaugural season we have selected films that approach the intersections of neo/colonialism and global climate change, zooming in on global colonial expansion and its persistent effects on the environment, human rights, and cultural landscapes.

See the full Seventh Cinema Season 1 program here.

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Please join us for a special pre-screening performance by Fetle Wondimu Nega (AKA Nū). Fetle is an Ethiopian-Australian vocalist, producer, and live coder. Her work incorporates non-western musical traditions, improvisational performance, and Afrofuturism, traversing genres from Ambient and Jazz to RnB, Electronic, and Experimental music. For Seventh Cinema, Fetle will be responding to Afrofuturist film Neptune Frost, with a live coding set featuring ambient soundscapes, archival samples, and improvisational vocals. Come experience the emerging audio visual practice of live code, projected onto our outdoor cinescape from 8.30pm.

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Mermaids, or Aiden in Wonderland (2018) 27 minutes, directed by the Karrabing Film Collective

In the not far future, Europeans can no longer survive for long periods outdoors in a land and seascape poisoned by capitalism, but Indigenous people seem able to. A young Indigenous man, Aiden, taken away when he was just a baby to be a part of a medical experiment to save the white race, is released into the world of his family. As he travels with this father and brother across the landscape he confronts two possible futures and pasts.

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Neptune Frost (2021) 95 minutes, durected by Saul Williams and Anisia Uzeyman

Multi-hyphenate, multidisciplinary artist Saul Williams brings his unique dynamism to this Afrofuturist vision, a sci-fi punk musical that’s a visually wondrous amalgamation of themes, ideas, and songs that Williams has explored in his work, notably his 2016 album MartyrLoserKing. Co-directed with the Rwandan-born artist and cinematographer Anisia Uzeyman, the film takes place in the hilltops of Burundi, where a group of escaped coltan miners form an anti-colonialist computer hacker collective. From their camp in an otherworldly e-waste dump, they attempt a takeover of the authoritarian regime exploiting the region's natural resources – and its people. When an intersex runaway and an escaped coltan miner find each other through cosmic forces, their connection sparks glitches within the greater divine circuitry. Set between states of being – past and present, dream and waking life, colonized and free, male and female, memory and prescience – Neptune Frost is an invigorating and empowering direct download to the cerebral cortex and a call to reclaim technology for progressive political ends.

Image Description: This image is film still from Neptune Frost, and features nine Burundi miners spread across rocky terrain mostly playing drums.

We are pleased to introduce Seventh Cinema, a free public cinema season spanning seven weeks. In collaboration with guest artist Kori Miles, we have curated a series of film programs on a temporary outdoor cinema on the gallery's adjacent lawn. In this inaugural season we have selected films that approach the intersections of neo/colonialism and global climate change, zooming in on global colonial expansion and its persistent effects on the environment, human rights, and cultural landscapes.

See the full Seventh Cinema Season 1 program here.

ϟ

Please join us for a special pre-screening performance by Fetle Wondimu Nega (AKA Nū). Fetle is an Ethiopian-Australian vocalist, producer, and live coder. Her work incorporates non-western musical traditions, improvisational performance, and Afrofuturism, traversing genres from Ambient and Jazz to RnB, Electronic, and Experimental music. For Seventh Cinema, Fetle will be responding to Afrofuturist film Neptune Frost, with a live coding set featuring ambient soundscapes, archival samples, and improvisational vocals. Come experience the emerging audio visual practice of live code, projected onto our outdoor cinescape from 8.30pm.

ϟ

Mermaids, or Aiden in Wonderland (2018) 27 minutes, directed by the Karrabing Film Collective

In the not far future, Europeans can no longer survive for long periods outdoors in a land and seascape poisoned by capitalism, but Indigenous people seem able to. A young Indigenous man, Aiden, taken away when he was just a baby to be a part of a medical experiment to save the white race, is released into the world of his family. As he travels with this father and brother across the landscape he confronts two possible futures and pasts.

ϟ

Neptune Frost (2021) 95 minutes, durected by Saul Williams and Anisia Uzeyman

Multi-hyphenate, multidisciplinary artist Saul Williams brings his unique dynamism to this Afrofuturist vision, a sci-fi punk musical that’s a visually wondrous amalgamation of themes, ideas, and songs that Williams has explored in his work, notably his 2016 album MartyrLoserKing. Co-directed with the Rwandan-born artist and cinematographer Anisia Uzeyman, the film takes place in the hilltops of Burundi, where a group of escaped coltan miners form an anti-colonialist computer hacker collective. From their camp in an otherworldly e-waste dump, they attempt a takeover of the authoritarian regime exploiting the region's natural resources – and its people. When an intersex runaway and an escaped coltan miner find each other through cosmic forces, their connection sparks glitches within the greater divine circuitry. Set between states of being – past and present, dream and waking life, colonized and free, male and female, memory and prescience – Neptune Frost is an invigorating and empowering direct download to the cerebral cortex and a call to reclaim technology for progressive political ends.

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Karrabing Film Collective

Karrabing Film Collective is an indigenous media group consisting of over 30 members, bringing together Aboriginal filmmakers from Australia’s Northern Territory. They approach filmmaking as a mode of self-organization and a means of investigating contemporary social conditions of inequality. Through the collective’s inventive artistic language, their work challenges historical and contemporary structures of settler power. Most of the members of the collective live in rural Indigenous communities in the outback of Australia with low or no income. The films represent their lives and through the process create bonds with their land while intervening in global images of Indigeneity. International screenings and publications of their work over the last few years have provided opportunities for some members of the collective to obtain passports, allowing them to develop local artistic languages and for audiences to understand new forms of collective Indigenous agency.

Saul Williams

Saul Williams has been breaking ground since his debut album, Amethyst Rock Star, was released in 2001 and executive produced by Rick Rubin. After gaining global fame for his poetry and writings at the turn of the century, Williams has performed in over 30 countries and read in over 300 universities, with invitations that have spanned from the White House, the Sydney Opera House, Lincoln Center, The Louvre, The Getty Center, Queen Elizabeth Hall, to countless, villages, townships, community centers, and prisons across the world. The Newburgh, New York native gained a BA from Morehouse and an MFA from Tisch, and has gone on to record with Nine Inch Nails and Allen Ginsburg, as well as countless film and television appearances. Most recently, Williams’ released his latest music works entitled, Encrypted & Vulnerable (July 2019), which acts as the score to his forth-coming directorial debut musical, Neptune Frost.

Anisa Uzeyman

Anisia Uzeyman was born in Rwanda and is an international actress, playwright, and director. Her experimental film Dreamstates which premiered at LAFF (2016), is one of the first feature films shot entirely on iPhone. She is the co-director and the director of photography of the sci-fi musical Neptune Frost (2022), which premiered in the Director's Fortnight selection at Cannes Film Festival 2021.

Fetle Wondimu Nega

Fetle Wondimu Nega (AKA Nu) is an Ethiopian-Australian sound artist, musician and co-design facilitator. Her work explores stories emanating from her cross-cultural experience of language, spirituality and identity. Singing since she was a child, Fetle is a self-taught music producer. Informed by her background in Mathematics, Fetle has expanded her practice to include live coding using sound synthesiser Sonic Pi and visual synthesis tool Hydra. Through this emerging medium, Fetle is interested in exploring Afrofuturism.

Kori Miles

Kori is an interdisciplinary and process-based takataapui artist, currently working and living on sacred Wurundjeri land in Naarm/Melbourne. They are of Maaori (Ngaati Raukawa, Ngaati Ahuru, Tainui/Waikato), Italian, Scottish & Anglo-Celtic descent, but born and raised in so-called Australia. They predominantly utilise performance, installation, sculpture, photography, video and poetry as mediums to explore/articulate ideas, knowledge and stories.

Kori’s practice is guided by the stories of Maaui—the trickster demigod of Maaori mythology—and how Maaui’s clever wit combined with the powers of shape-shifting and interdimensional travel are used to undermine structural authority and cause a paradigm shift in power distribution - a social and systemic change that benefits those with less privilege and access. Kori’s practice manifests visions that confront the ongoing damage of colonial and heteronormative social structures, whilst concurrently fostering a space for contemplation on transgression, eroticism, liberation, humour, healing, regeneration and resilience.